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My Inspiration


TIMOTHY BROWN,
founder/principal at Timothy Brown studio

Story
The Homestead Team

Photos
Courtesy of Timothy Brown Studio

There are few things interior designer Timothy Brown loves more than helping a house reach its potential. “There’s nothing more fun to me than that,” he says. Since founding his own firm in Manhattan in 2010, Timothy, who previously worked with Architectural Digest AD100 and Elle Décor A-List designers Robert Stilin and Victoria Hagan, has done this for properties on the East and West Coasts of the U.S. and even across the Atlantic, in Paris. And now he’s turning his curious, contemplative eye toward homes in Jackson Hole.
 
“While I’m new to Jackson Hole, I’m used to working in locations with a strong sense of place,” he says. “Although the environment that the design responds to here is different, my experience working with clients to create edited, warm spaces translates. I hope to bring a fresh perspective.”


 
Here Timothy, whose work was featured in the book Interior Design Master Class: 100 Lessons from America’s Finest Designers on the Art of Decoration, shares some of the things that inspire his work.


Location
Whether the mountains, beach, or city, location plays a huge role in several things—the way a house is used, views, light, fabrics, colors, and accents. In a home five minutes from the beach, I used a Lindsey Adelman knotty bubbles pendant above a sitting area. Its translucent glass and rope recall both buoys and barnacles. It’s a nod to the area where the house is located.

Collected Details
I’m such a visual person and am constantly looking and seeing, in everyday life and when I travel. I don’t know that I’ve ever been out and not found something that inspires me. I catalog everything—a color combination I see in a painting in a museum, the shape of a sand dune or the architecture of a tree, a mosaic in a door. I collect details that might not mean anything in the moment I see them in a painting but mean something later. I never know what is going to strike me as something that will work, so I’m just constantly paying attention. Shown above is a mid-century yellow lamp hanging over an antique French desk. The big doors on the back wall are a modern version of millwork I saw on a visit to Versailles.

Clients
My projects are as different as my clients. When collaborating with clients, I’m continually inspired. I was once asked to make a traditional Park Avenue duplex into a loft someone might find in SoHo. I’ve taken details visually collected on my travels and incorporated them into a townhouse, mixing traditional ideas with modern living. I’m always thinking of how I can use what I’ve seen and experienced to create a beautiful visual story and a better day-to-day routine for clients in their home.

NEW YORK NY
147 E 37TH ST
NYC 10016
(212) 255-4895

JACKSON WY
255 N GLENWOOD STREET
JACKSON 83001
(307) 203-2003

@TBROWNSTUDIO
TIMOTHYBROWNSTUDIO.COM